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Quinne Fokes Fine Artist

Quinne Fokes Fine Artist

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Process

For the Grand Prix Series, I go to shows and photograph top riders and horses, some of whom I know. Watch for a while and you’ll see that each team moves a bit differently over the technically challenging course.

Page from a sketchbook showing small thumbnail sketches
Sketchbook page of thumbnail sketches

I sort through the photographs looking for moments that interest my eye. I make thumbnail sketches to start working out the composition. 

Sketch of horse and rider coming towards you
Initial sketch

Next I draw a study, sometimes with color.

Sketch with grid overlaid onto it

I put a grid over the drawing to help me enlarge the sketch to a 40 x 40 inch mounted canvas.

Red canvas with beginning of painting in dark paint
Initial sketch transferred over red underpainting

Some paintings have a color such as red as an under painting. Or I will start with raw umber as have painters for centuries. I work in oils and most paintings have a number of layers. Usually I work on several paintings at a time, typical of painters working in oils.

Finished painting of horse and rider coming towards viewer
Finished painting

Once finished, it can take months or years to dry. I often deliver paintings prior to varnishing, especially if the client lives nearby, and it is convenient to varnish after delivery.

“A work of art that did not begin in emotion is not art.”

– Paul Cezanne

Inquiries

If you are interested in acquiring any of the artwork displayed, or commissioning a new work of art for your home or office, please let me know here.

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Website Credits

© 2025 All artwork copyright Quinne Fokes. All rights reserved. Materials in this website may not be copied or used without permission by Quinne Fokes.